关机粤语

A husband's fight to save his wife from a demonic possession that began the moment the dybbuk box chose her as its next host.

Quỷ Nhập Tràng 2 là tiền truyện của nhân vật Minh Như, trở về xưởng nhuộm gia đình sau nhiều năm bị xua đuổi. Tại đây, cô phải đối mặt với những hiện tượng ma quái cùng sự thật tàn khốc về cái chết của mẹ và giao ước đẫm máu năm xưa. Ác giả ác báo, liệu Minh Như có thoát khỏi vòng vây của quỷ dữ? 多年被家族排斥后，明如重返家族的染坊。在那里，她必须面对超自然现象、母亲死亡的残酷真相以及一段尘封已久的血腥契约。明如能否逃脱邪恶的魔爪？

暂无简介，敬请期待

一对夫妻在他们的土地里挖掘出一座古墓后，围绕着一条被诅咒的项链和一个充满复仇之心的鬼魂，发生了一连串恐怖事件……

巴尔基斯在苦难和背叛中长大。在复仇的驱使下，她选择了一条黑暗的道路，却没有意识到任何行为都有代价。

凯特21岁生日露营时，朋友们遭遇了可怕的人猪混血怪物小猪，它残忍地杀害了其中一位。他们揭开了小猪的身世，凯特必须直面自己的过去，才能在这个冷酷无情的杀手面前生存下来。

在这部真实犯罪题材的纪录片中，邪教专家兼电影制作人潜入一个一夫多妻制教派，目的是揭露一名自称先知的男子并将其绳之以法。

拉斯即将迎娶贝拉，但有一件事让他困扰：他的母亲已经单身一段时间了。为了避免让她独自一人，他邀请她去阳光明媚的库拉索岛度假。但他没有告诉母亲的是：这实际上是一个单身人士的独身旅行。

在德国一座中世纪大学城的植物园中，一棵古老的银杏树静静矗立，见证着三个时代中人与自然之间的深层联结。1908年，大学首位女性学生透过摄影镜头，在植物的微观结构中发现宇宙的神圣秩序；1972年，一位沉默的青年在观察天竺葵的过程中，悄然改变了对世界的感知；2020年，一位来自香港的神经科学家在研究婴儿意识的同时，与这棵树展开一场意想不到的实验。

在德国一座中世纪大学城的植物园中，一棵古老的银杏树静静矗立，见证着三个时代中人与自然之间的深层联结。1908年，大学首位女性学生透过摄影镜头，在植物的微观结构中发现宇宙的神圣秩序；1972年，一位沉默的青年在观察天竺葵的过程中，悄然改变了对世界的感知；2020年，一位来自香港的神经科学家在研究婴儿意识的同时，与这棵树展开一场意想不到的实验。

梦境是塞伦窥见命运的窗口，她借由这份预知的天赋，试图去拨动身边人的人生轨迹。但一场突如其来的幻视，打乱了她原本的生活，一场不期而至的爱情，连同潜藏的危机一同向她袭来。命运让她与凯末尔相逢，爱意与险境缠绕共生。每一次抉择都重若千钧，塞伦的取舍，既决定着自己的前路，也将改写凯末尔的整个人生。

Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.